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All Viagra Alternative Otc Tablets Buy Online In Bertha Usa these works turned out to be objects of concurring (and moreover, positive) aesthetic evaluations. Apparently, it is impossible to satisfactorily explain this fact without assuming that there are some universal aesthetic principles.

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Accordingly, such an aesthetic assessment, as, for example, lt; the pyramids are ugly; gt; could be considered wrong. We would recognize its fallacy as the result of a lack of understanding of some aesthetic principles. These principles must have universality, for the objects listed above are surprisingly diverse. Therefore, one may think that the principles under discussion are concerned not with content, but with form.

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On the basis of the firm conviction that such principles exist, that they need to be known and that they should strictly follow, many treatises have been written on the laws of beauty and, in particular, on the principles of the fine arts. In addition to works on philosophical aesthetics, countless theories of artistic creativity are known. Suffice it to mention the poetics of Horace, Goethe, the Indian writer Dandin (about 700), the Chinese writer Li Yu (1611-1680) and the Japanese authors Kino Tsu-rayuki (882-945), Tikamatsu and Soseki, as well as theories of fine art like those that nominated Leonardo da Vinci, Kandinsky and Mondrian.

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Art criticism is almost as old as writing. Perhaps the most impressive example is lt; Teachgt; Ptahhotepa. This ancient Egyptian poem (circa 2200 BC) contains, among other things, arguments about the beauty of speech [27]. Many cultures have long-standing traditions of various beauty contests and art shows. Widely known are, for example, the day-Greek theatrical shows, as well as the competitions of Japanese and Chinese poets.

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